8/7/2023 0 Comments Star wars monopoly prwquels![]() For many years I kept a shot of Marnay pinned to the wall at our offices to remind me of why I love this industry. These days Star Wars references in fashion aren’t unusual-Nicolas Ghesquière, Rodarte’s Kate and Laura Mulleavy, and Demna Gvasalia have all nodded to the films in their collections-but few shoutouts capture the thrill of the franchise as well as Penn’s editorial. The French waif enhances the dreamy quality of Penn’s visuals, heightening the magic of the clothes and their surrealism, while also animating the looks with practiced ease. ![]() In the film, a 16-year-old Natalie Portman pulls off the looks with gravitas, but the energy that the model Audrey Marnay brings to them is different. That shift transforms the vibe of the costumes. Here though, the costumes are frozen in time and suspended on the page, so you’re allowed to enjoy each element. Lightsaber fights, explosions, and the constant race of a plot moving forward take precedence. Movies in the blockbuster vein rarely allow time for introspection. ![]() There is plenty to appreciate: Glowing lights worked into hemlines, headdresses with baroque pearls sourced from a 1910s evening dress, and capes made with layers of silk that recall flower petals. Biggar worked for a year with a team of artisans, a process not unlike what you’d see in a Paris atelier, and the lack of distractions in Penn’s photos allows you to hone in on the details. The serene visuals also highlight the prequel’s connection to fashion. ![]()
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